With creepy voyeurism and hints of incest, this isn’t a role where Method acting would be ethical. “This season, we’ve tried to maintain his likability, keep people’s sympathy for him, while at the same time having him become a little more manipulative, a little more Machiavellian.” “We obviously had so much more time than they ever did to develop the character of Norman Bates,” Highmore said. While replicating the genius of “Psycho,” “Bates Motel” also has more time to explore its characters. Of course he was deluded, I think we know that now, but he wasn’t doing it out of jealousy, out of hatred, he was doing it because he really loved his mother and wants to be with her forever.” “Everything he’s been doing, especially what he did at the end of Episode 9, was an act of love. “For those who have seen it, everyone knows exactly what particular event I’m talking about,” Highmore said. Without spoiling anything for those who haven’t seen it, let’s just say that the final episode picks up right where the previous episode (“Forever”) left off, answering a most suspenseful cliffhanger. “In terms of last week’s episode and this, if there’s only two episodes of ‘Bates’ that people ever end up seeing, these are the ones to watch.” “It’s sort of incredible and weird and exactly what ‘Bates Motel’ has always been about,” Freddie Highmore told WTOP about his role as Norman. Over the past four years, a new generation has discovered the twisted glory of Norman’s origin story in A&E’s acclaimed TV series “Bates Motel,” which delivered a powerful Season 4 finale on Monday. WASHINGTON - It was the most shocking twist in movie history: the revelation of Norman Bates as the ultimate “mama’s boy” in Alfred Hitchcock’s horror classic “Psycho” (1960). Octo| WTOP's Jason Fraley highlights 'Bates Motel' ( Jason Fraley) Business & Finance Click to expand menu.
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